* PLEASE WATCH THE PROJECTS’ VIDEOS BEFORE READING THIS PAGE.

This project started while I was researching Korean traditional clothing to write my dissertation.

For objects with traditionality and locality, there is a stuck image, and I asked what it would be like to shift our eyes to other attractive aspects of each object, not to the aspects of these fixed images. The traditional ornaments that I observed as a result of these questions had a much more diverse and complex beauty to define simply by one word or phrase, and I wanted to share these senses with other audiences and share their feelings as well.

The 3D videos I made myself and the choreography videos I directed have very different vibes, but they also explain different characteristics of each object. In the 3D video, the structure and splendour of the ornaments are expressed, and in the choreography video, the lines and the movement of the objects are expressed.

Choreographers' movements are all moving in the form of each material.

Choreographers' movements are all moving in the form of each material.

To prevent the imagination of images fixed in advance., I produced a choreography films that focuses only on the form of accessories while deleting oriental clothes, hair, makeup, and sets. The overall flow of films, assuming that there are accessories on the screen that I want to express, is going to be the movement of the choreography.

Through the afterimage of the choreographer moving along the line, it is not until the choreography is finished that the video can be accurately recognized.

Through this, the audience will be able to experience the feeling and form of jewellery as it is by preventing them from having a "fixed concept" that they naturally think of when they first recognize the characteristics of "Oriental" before the content.

And finally done for my long journey with this project and thank you all who gave me endless support and help xx